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Alan Ladd | John |
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Patricia Medina | Linet |
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André Morell | Sir Ontzlake |
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Harry Andrews | Earl Of Yeonil |
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Peter Cushing | Sir Palamides |
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Anthony Bushell | King Arthur |
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Laurence Naismith | Major Domo |
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Patrick Troughton | King Mark |
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Bill Brandon | Bernard |
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Ronald Adam | The Abbot |
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Basil Appleby | Sir Hal |
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Tommy Moore | The Apprentice |
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Jean Lodge | Queen Guenevere |
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Pauline Jameson | Lady Yeonil |
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John Kelly | The Woodchopper |
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Alec Coppel | Screenplay |
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Tay Garnett | Director |
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Dennis O'Keefe | Dialogue |
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Bryan Forbes | Dialogue |
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Albert R. Broccoli | Production |
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Irving Allen | Production |
John (Alan Ladd), a blacksmith and swordsmith, is tutored at Camelot. As a commoner, he can't hope to win the hand of Lady Linet (Patricia Medina), daughter of the Earl of Yeoniland (Harry Andrews), so he creates a secret alternate identity as the Black Knight. In this new role, he is now able to help King Arthur when Saracens and Cornish men—disguised as Vikings -- plot to take over the country. However, his thoughts are not only on the protection of England when the good Lady Linet becomes threatened. When conspirators within Camelot plan to use the "Vikings" to overthrow King Arthur, the Black Knight is branded a traitor.
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