There's not much to love about it.
Director Tommy Lee Jones shoots with a steady hand and captures picturesque landscapes in The Homesman, but neither positive aspect can compensate for the unpleasantness of this anti-feminist Western’s story. It starts out promising when the tough homesteader Mary Bee Cuddy (Hilary Swank) takes on a task that men in her town are unable or unwilling to do: transporting three mentally ill women across dangerous territory to a place where they will receive care. Early on Cuddy finds George Briggs (Tommy Lee Jones) at the end of a hangman’s noose and rescues him in exchange for his help. She remains an impressive character because she doesn’t take any shit from him. Although somewhere toward the middle, Jones disappoints you by turning the movie into a story about his character instead of Swank’s. Aside from Swank’s committed performance and a delightfully brutal scene involving James Spader, there’s not much to love about this film. Its chronologically disjointed scenes don’t come...(more)
Director Tommy Lee Jones shoots with a steady hand and captures picturesque landscapes in The Homesman, but neither positive aspect can compensate for the unpleasantness of this anti-feminist Western’s story. It starts out promising when the tough homesteader Mary Bee Cuddy (Hilary Swank) takes on a task that men in her town are unable or unwilling to do: transporting three mentally ill women across dangerous territory to a place where they will receive care. Early on Cuddy finds George Briggs (Tommy Lee Jones) at the end of a hangman’s noose and rescues him in exchange for his help. She remains an impressive character because she doesn’t take any shit from him. Although somewhere toward the middle, Jones disappoints you by turning the movie into a story about his character instead of Swank’s. Aside from Swank’s committed performance and a delightfully brutal scene involving James Spader, there’s not much to love about this film. Its chronologically disjointed scenes don’t come together cohesively as a narrative and it employs excessive scenes of violent sexual assault to prove a point. The West was a horrible place for women. We get it. (less)
Tommy Lee Jones' overlooked Western
I don't recall hearing about this movie when it came out, but caught it on Netflix thanks to New York Time's "Watch" recommendations. It was a Western that had many predictable elements--determined woman sets of on a journey (a la True Grit ). Pairs up with unwilling man (also reminiscent of True Grit). During the journey they face danger and challenges and learn to respect one another. But some of the events subvert expectations. The movie had some weak points (a few things that didn't seem plausible or that didn't play out in a convincing way) but overall I really liked it.
![]() |
Hilary Swank | Mary Bee Cuddy |
![]() |
Meryl Streep | Altha Carter |
![]() |
Tommy Lee Jones | George Briggs |
![]() |
Grace Gummer | Arabella Sours |
![]() |
Miranda Otto | Theoline Belknapp |
![]() |
Sonja Richter | Gro Svendsen |
![]() |
David Dencik | Thor Svendsen |
![]() |
John Lithgow | Reverend Dowd |
![]() |
Tim Blake Nelson | The Freighter |
![]() |
James Spader | Aloysius Duffy |
![]() |
Jesse Plemons | Garn Sours |
![]() |
Evan Jones | Bob Giffin |
![]() |
Hailee Steinfeld | Tabitha Hutchinson |
![]() |
Barry Corbin | Buster Shaver |
![]() |
Tommy Lee Jones | Directing |
![]() |
Luc Besson | Production |
![]() |
Peter M. Brant | Production |
![]() |
Tommy Lee Jones | Production |
![]() |
Brian Kennedy | Production |
![]() |
Kieran Fitzgerald | Writing |
![]() |
Wesley A. Oliver | Writing |
![]() |
Miles Hood Swarthout | Writing |
![]() |
Glendon Swarthout | Story Contributor |
![]() |
Roberto Silvi | Editing |
![]() |
Peter Brant | Production |
![]() |
Tommy Lee Jones | Writing |
![]() |
Glendon Swarthout | Writing |
Theatrical : 2014-01-01 : United States of America
Theatrical : 2014-05-18 : France
Theatrical : 2014-11-14 : United States of America
2014-05-18 : Cannes
Freebase: The Homesman, licensed under CC-BY
Wikipedia: The Homesman, licensed under CC BY-SA